As the title suggests, I’ve got a few of my short stories that I’ve recently written on the way for you lovely internet folk. Hopefully they’ll whet your appetite for something even bigger I have tucked away… (o-er!)
Watch this space guys, as I’ve still got plenty of stuff coming your way, as soon as I get the time to do so!
I’d love to get my short montage film of my recent walking holiday in Durham/Lindisfarne on here soon, but first I’ll need to buy an editing software (Vegas Movie Studios looks the best) to actually put the thing together, then I’ll have to wait for it to come, then I’ll have to set it up, then I’ll have to get my head around it…
This is a script I wrote for my TV group at Uni, HUUTV (Hull University Union TV). It ended up winning best script at this year’s awards! Enjoy!, and I hope it downloads well!
My first proper post! I figured I’d go for something special, so I give you an album called ‘Butterfly’ by the Japanese rock band L’Arc-en-Ciel.
L’Arc-en-Ciel are essentially a pop rock band, but that’s only to the untrained ear. Their legions of fans across the globe will tell you how their a band capable of punk, metal, blues, jazz, post-punk, electronica, new wave, and alternative rock, and ‘Butterfly’, their most recent album, is their most adventurous work to date.
It’s a bright, diverse, even slightly experimental piece of work, at least for this band, with 20 odd years of work under their belt. It shimmers and swirls with strings, horns and electronics, but these never detract from the chemistry these four excellent players have.
And the members are on top form here, singer Hyde floats through the album with his sweetly high-pitched croon, while guitarist Ken rambles along with his tough, funky yet sparse bluesy Fender leads, and in the background bassist Tetsuya skips along with his melodic lead-style bass-playing, all being anchored by the subtle yet busy drumming of percussionist Yukihiro.
The four members of the band all contribute to music and lyrics and the album certainly packs a diverse punch. Hyde’s and Tetsuya’s numbers lean more towards a mainstream pop style, while Ken and Yukihiro contribute the more experimental numbers, and they’re all of equal strength.
‘Chase’ opens the album, a tense, brooding electronic-flavoured rocker, followed by the slower, grooving ‘X X X’ , (which as you can guess by the title drips with sex) before picking up speed again slightly for the third track, ‘Bye Bye’, a rapidly throbbing slice of swooning, heavy pop balladry.
After that comes the album’s lead-off single, ‘Good Luck My Way’, a rattling, anthemic piece of orchestral power pop. After this comes the sweetly acoustic rumblings of ‘Bless’, which leads into the even slower yet mournfully gorgeous, stop-start swirls of ‘Shade of Season’, before picking up speed once more for the ballsy, crunching metallic rocker ‘Drink it Down’.
‘Wild Flower’, my personal favorite, is simply stunning. Three layers of swirling guitars create dense walls for this chugging, spell-binding ballad to drive through. Two solid pop numbers follow on, the soaring, acoustic-driven ‘Shine’ which spins into the more intense ‘Nexus 4’.
Album closer ‘Mirai Sekai’ is another lovely song, a simple nursery-rhyme like tune that see the band waltzing away as Hyde’s sleepy croon slowly fades away into the night, and even then, you find yourself gravitating back to the tense electronic bubblings of ‘Chase’.
Overall, the group’s trashy, youthful abandon when playing removes any stiff slickness this album may have, and is truly the first great album by this truly great band!
4.5 out of 5 stars.
Hello blog world! So here I am, ready to wow you all with all the ramblings I’ve got in mind. Hope you enjoy reading them as much as I enjoy coming up with them!